© Katrin Schilling

The Ensemble Modern

Since its founding in 1980, Ensemble Modern (EM) has been among the leading New Music ensembles. It currently unites 20 soloists from Argentina, Belgium, Bulgaria, Germany, Great Britain, Greece, India, Israel, Japan, the USA and Switzerland, illustrating the culturally diverse background of the ensemble. Resident in Frankfurt am Main, the ensemble has been incorporated as a civil law association (GbR) under German law since 1987, with the musicians as partners. EM is known for its unique organisation and working method, foregoing an artistic director: projects, co-productions and financial matters are decided and implemented jointly. Its unique and distinctive programming includes musical theatre works, dance and video projects, chamber music, ensemble and orchestral concerts. Tours and guest appearances have taken it to the most renowned festivals and distinguished performance venues, such as the Salzburger Festspiele, Klangspuren Schwaz, Bregenzer Festspiele, Wien Modern, Festival d'Automne à Paris, Holland Festival, Klangspuren Schwaz, Berliner Festspiele, Ruhrtriennale und Lucerne Festival, as well as Wigmore Hall, Cité de la Musique, Tokyo Wondersite, Concertgebouw Amsterdam, Elbphilharmonie, Kölner Philharmonie, Konzerthaus Berlin, Festspielhaus Baden-Baden. It has had its own subscription series at the Alte Oper Frankfurt since 1985, presenting most recent works and developments. It regularly produces musical theatre works in cooperation with the Frankfurt Opera, as well as a series of workshop concerts entitled ›Happy New Ears‹, introducing and explaining central works and composers of the 20th and 21st centuries. Since 2011 Ensemble Modern has joined the Frankfurt Radio Symphony Orchestra in presenting the festival ›cresc... Biennial for Modern Music Frankfurt Rhine Main‹.

The ensemble strives to achieve the highest possible degree of authenticity by working closely with the composers themselves. The musicians rehearse an average of 70 new works every year, 20 of which are world premieres. Its work is characterised by extraordinary and often long-term cooperative ventures with renowned artists, such as John Adams, George Benjamin, Peter Eötvös, Heiner Goebbels, Hans Werner Henze, Mauricio Kagel, György Kurtág, Helmut Lachenmann, György Ligeti, Benedict Mason, Karlheinz Stockhausen, Steve Reich or Frank Zappa.

In addition to its multi-faceted concert activities, Ensemble Modern presents the results of its work through regular radio and CD recordings, many of which have gone on to win ECHO Awards and the Prize of the German Record Critics, as well as several Grammy nominations. Almost 30 of the more than 150 CD productions have been released by the ensemble’s own label, Ensemble Modern Media. Ensemble Modern was declared a ›Leuchtturm‹ or ›beacon‹ of contemporary culture in Germany in 2003 by the German Federal Cultural Foundation. That same year, Ensemble Modern began bundling its existing education and further education projects under one roof, founding the International Ensemble Modern Academy (IEMA) with the goal of passing on the musical heritage of modernism. IEMA’s formats developed especially for specific target groups include the Master’s Degree course »Contemporary Music« for young professional musicians in cooperation with the Frankfurt am Main Academy of Music and Performing Arts as well as international master courses, composition seminars and school projects. All these pursue the goal of educating a broad public about a great variety of contemporary musical tendencies and an open, creative approach to artistic processes.

Ensemble Modern is funded by the German Federal Cultural Foundation, the City of Frankfurt, the German Ensemble Academy, the Ministry of Science and Art of the State of Hesse and the GVL. The Ensemble Modern musicians thank the Aventis Foundation for financing a chair in their ensemble. hr2-kultur is Ensemble Modern’s cultural affairs partner.

Chronicle

1988
  • Heinz Holliger receives the Frankfurter Musikpreis endowed with 25,000 Deutsche Mark and forwards his reward to Ensemble Modern, who is at that point struggling with financial difficulties
  • Dance theatres ›Red Run‹ by Amanda Miller with music by Heiner Goebbels and ›Choros‹ by Rhys Martin with music by Elena Kats-Chernin are being premiered at Jahrhunderthalle Höchst in Frankfurt a.M.
  • Performance of the opera ›Stallerhof‹ based on a play by Franz Xaver Kroetz, (composition by Gerd Kühr) at the first Munich Biennale and in Wiesbaden
  • Mark Antony Turnage's opera ›Greek‹ an HK Gruber's ›Frankenstein!!!‹ are being staged at the Munich Biennale
  • Initiation of ›Response‹ a practical school-project that tries to make contemporary music more accessible for young people, first season in Berlin in collaboration with London Sinfonietta
  • Premiere of Ernst Krenek's ›Symeon der Stylik‹ at ›Salzburger Festspiele‹ under the direction of Lothar Zagrosek
  • Portrait concerts of György Ligeti and György Kurtág at ›Berliner Festwochen‹
  • Concerts with Steve Reich (›Different Trains‹, ›Eight Lines‹, ›Sextet‹, ›Four Organs‹ i.a.) in Frankfurt a.M., Berlin, Bolzano and Cologne
  • Concerts within the theme of ›music and machine‹ at Kölner Philharmonie, with works by Conlon Nancarrow, transcribed by Ivar Mikashoff
  • Gesellschaft für Neue Musik (contemporary music society) and Ensemble Modern host an international composers workshop in Blonay: Ten composers write pieces to be performed by Ensemble Modern, the ensemble studies their works, offers support to the composers during development and realization and performs the completed compositions; lecturers are Helmut Lachenmann, Ingo Metzmacher, and Hans Zender