© Katrin Schilling

The Ensemble Modern

Since its founding in 1980, Ensemble Modern (EM) has been among the leading New Music ensembles. It currently unites 20 soloists from Argentina, Belgium, Bulgaria, Germany, Great Britain, Greece, India, Israel, Japan, the USA and Switzerland, illustrating the culturally diverse background of the ensemble. Resident in Frankfurt am Main, the ensemble has been incorporated as a civil law association (GbR) under German law since 1987, with the musicians as partners. EM is known for its unique organisation and working method, foregoing an artistic director: projects, co-productions and financial matters are decided and implemented jointly. Its unique and distinctive programming includes musical theatre works, dance and video projects, chamber music, ensemble and orchestral concerts. Tours and guest appearances have taken it to the most renowned festivals and distinguished performance venues, such as the Salzburger Festspiele, Klangspuren Schwaz, Bregenzer Festspiele, Wien Modern, Festival d'Automne à Paris, Holland Festival, Klangspuren Schwaz, Berliner Festspiele, Ruhrtriennale und Lucerne Festival, as well as Wigmore Hall, Cité de la Musique, Tokyo Wondersite, Concertgebouw Amsterdam, Elbphilharmonie, Kölner Philharmonie, Konzerthaus Berlin, Festspielhaus Baden-Baden. It has had its own subscription series at the Alte Oper Frankfurt since 1985, presenting most recent works and developments. It regularly produces musical theatre works in cooperation with the Frankfurt Opera, as well as a series of workshop concerts entitled ›Happy New Ears‹, introducing and explaining central works and composers of the 20th and 21st centuries. Since 2011 Ensemble Modern has joined the Frankfurt Radio Symphony Orchestra in presenting the festival ›cresc... Biennial for Modern Music Frankfurt Rhine Main‹.

The ensemble strives to achieve the highest possible degree of authenticity by working closely with the composers themselves. The musicians rehearse an average of 70 new works every year, 20 of which are world premieres. Its work is characterised by extraordinary and often long-term cooperative ventures with renowned artists, such as John Adams, George Benjamin, Peter Eötvös, Heiner Goebbels, Hans Werner Henze, Mauricio Kagel, György Kurtág, Helmut Lachenmann, György Ligeti, Benedict Mason, Karlheinz Stockhausen, Steve Reich or Frank Zappa.

In addition to its multi-faceted concert activities, Ensemble Modern presents the results of its work through regular radio and CD recordings, many of which have gone on to win ECHO Awards and the Prize of the German Record Critics, as well as several Grammy nominations. Almost 30 of the more than 150 CD productions have been released by the ensemble’s own label, Ensemble Modern Media. Ensemble Modern was declared a ›Leuchtturm‹ or ›beacon‹ of contemporary culture in Germany in 2003 by the German Federal Cultural Foundation. That same year, Ensemble Modern began bundling its existing education and further education projects under one roof, founding the International Ensemble Modern Academy (IEMA) with the goal of passing on the musical heritage of modernism. IEMA’s formats developed especially for specific target groups include the Master’s Degree course »Contemporary Music« for young professional musicians in cooperation with the Frankfurt am Main Academy of Music and Performing Arts as well as international master courses, composition seminars and school projects. All these pursue the goal of educating a broad public about a great variety of contemporary musical tendencies and an open, creative approach to artistic processes.

Ensemble Modern is funded by the German Federal Cultural Foundation, the City of Frankfurt, the German Ensemble Academy, the Ministry of Science and Art of the State of Hesse and the GVL. The Ensemble Modern musicians thank the Aventis Foundation for financing a chair in their ensemble. hr2-kultur is Ensemble Modern’s cultural affairs partner.

Chronicle

1987
  • German premiere of ›Chinese Opera‹ by Peter Eötvös at Alte Oper Frankfurt a.M.
  • Ingo Metzmacher conducts the ensembles' appearance at Musik-Biennale in East-Berlin with music by Wolfgang Rihm, Helmut Lachenmann, and Friedrich Goldmann i.a.
  • The ensemble and Ernest Bour perform in Cologne, Rome, Lisbon, and Frankfurt a.M. with works by Emanuel Nunes, Giacinto Scelsi, and Bruno Maderna
  • Concerts following the theme ›music in exile‹ with compositions by Hanns Eisler, and Kurt Weill i.a. in Frankfurt a.M. and at the Berliner Festwochen
  • The ensemble launches a new subscription series in the chamber music hall of Berliner Philharmonie
  • Regular concerts in Cologne, Paris, London
  • First production with enlarged ensemble: Luigi Nono's ›Prometeo‹ in Frankfurt a.M., Berlin, and Paris, conducted by David Shallhon and Friedrich Goldmann
  • Performance of Beethoven's Violin Concerto with Thomas Zehetmair and ›Wandlungen‹ by Emmanuel Nunes at the Weltmusiktage in Frankfurt a.M. conducted by Ernest Bour and Ingo Metzmacher
  • The ensemble tours Vienna, Munich, Cologne, London, Oxford, Cardiff, Liverpool, Durham, and Cambridge with Mauricio Kagel (and) ›Kantrimiusik‹, ›Finale‹, and ›Pas de cinq‹
  • The ensemble re-organizes itself as a GbR – Gesellschaft bürgerlichen Rechts (a partnership under the German Civil Code)
  • The German Record Critics' Award, Quarterly Critics' Choice 4/1987: Wolfgang Rihm - ›umsungen‹, Peter Ruzicka - ›...der die Gesänge zerschlug‹ (Dietrich Fischer-Dieskau, baritone; Ernest Bour, conductor)
  • Schneider Schott-Musikpreis 1987, Mainz